Left:
‘Jee Ayan Nu, But Not For Anna’ (Actress Unknown)’ (2023)
Acrylic on canvas
30x40 inches
Right:
‘Pyaar Ki Shokhiyan With Loose Loveleen (Suman Ranganathan)’ (2023)
Acrylic on canvas
30x40 inches
Installation shot of:
Left:
‘Jee Ayan Nu, But Not For Anna’ (Actress Unknown)’ (2023)
Acrylic on canvas
30x40 inches
Right:
‘Pyaar Ki Shokhiyan With Loose Loveleen (Suman Ranganathan)’ (2023)
Acrylic on canvas
30x40 inches
Left:
‘Abolish The Police In Your Heads Fuglies (Priyanka Paul)’ (2023)
Acrylic on canvas
30x40 inches
Centre:
‘Fouzia’s Archive Of Radical Hope For Qandeel (Qandeel Baloch)’ (2023)
Acrylic on canvas
30x40 inches
Right:
‘@ranaayyub: Proud of the Muslim women in India who are sticking their neck out and speaking against the tyranny of the Indian state (Rana Ayyub)’ (2023)
Acrylic on canvas
30x40 inches
Installation shot of
Left:
‘Abolish The Police In Your Heads Fuglies (Priyanka Paul)’ (2023)
Acrylic on canvas
30x40 inches
Centre:
‘Fouzia’s Archive Of Radical Hope For Qandeel (Qandeel Baloch)’ (2023)
Acrylic on canvas
30x40 inches
Right:
‘@ranaayyub: Proud of the Muslim women in India who are sticking their neck out and speaking against the tyranny of the Indian state (Rana Ayyub)’ (2023)
Acrylic on canvas
30x40 inches
Installation shot of exhibition space
Left:
IYKYK (Arvinder Sahota) (2023)
Acrylic on canvas
20x24 inches
Right:
IYKYK (Jaya Chandrasekar) (2023)
Archival print on Hahnemühle Photo Rag
16x20 inches
Front:
‘Portal 1’ (2023)
Gold leaf, acrylic paint, ABS plastic, red velvet mat hand sewn by Bhanot’s Mother
Back:
‘Portal 2’ (2023)
Gold leaf, acrylic paint, ABS plastic, red velvet mat hand sewn by Bhanot’s Mother
‘Archive of Secrets From Ghar and Bahar’ (2023)
Gold leaf, acrylic paint, ABS plastic, red velvet mat hand sewn by Bhanot’s Mother
'Ticklings 1' (2023)
Still image
Digital experimental film
4:09
Installation shot of:
‘Ticklings 1’ (2023)
Digital experimental film
4:09
‘Ticklings 2’ (2023)
Digital experimental film
3:00
‘Ticklings 3’ (2023)
Digital experimental film
2:00